From newsroom to screen: turning journalism into documentary films

From newsroom to screen: turning journalism into documentary films


Date

Sat 18 April 2026

Start time

10:30

Entry

Free

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Documentary filmmaking has become a powerful tool for journalists and media organisations seeking to extend the reach, depth and impact of their reporting. Newsrooms are increasingly investing in documentary storytelling.
But while many news stories have the potential to become documentaries, turning reported journalism into film requires new skills, structures and forms of support. Journalists may have the reporting, access and trust of sources, but often lack the filmmaking experience, funding pathways or networks needed to make the transition. At the same time, newsroom leaders and media managers face strategic questions about how to build documentary capacity while protecting editorial independence and journalistic rigour.
This panel explores how journalists navigate the transition from newsroom reporter to documentary filmmaker, and how media organisations can successfully support that shift. Drawing on personal journeys and senior industry leadership experience, it examines how a story evolves from a reported article into a long-form film, what skills journalists must acquire or unlearn, and how ethical, legal and personal risks change outside traditional newsroom structures.
The discussion will also address practical and editorial challenges: sustaining investigations over years rather than days, securing funding without compromising independence, and balancing cinematic storytelling with journalistic standards. It will also offer newsroom leaders guidance on how to build documentary capacity, from commissioning strategies and funding models to deciding when a story is best told as a short, mid-length or feature documentary.
Moderated by Karl Malakunas.
Organised in association with Agence France-Presse.


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Yaara Bou Melhem
Yaara Bou Melhem

Yaara Bou Melhem is an Australian writer, director and producer at Illuminate Films specialising in social justice films that often tackle the most pressing issues of our time. Her debut feature, Unseen Skies (2021), interrogates the inner workings of surveillance and artificial intelligence and was produced with Participant (USA). She recently wrote, directed and co-produced The Whiteley Art Scandal (2023), a 2 x 1hr series about one of Australia’s biggest art fraud trials for the ABC. Her award-winning shorts range from following the creation of a secular democracy in war-torn Syria to profiling disinformation campaigner and Nobel Peace Prize Laureate Maria Ressa. Yaara’s films have earned multiple accolades including two UN Media Peace Awards and five Walkley Awards. Her latest film, Yurlu Country, is a collaboration with First Nations Elder Maitland Parker about his fight to heal his homelands in Western Australia - the largest contaminated site in the Southern Hemisphere. The film has won multiple awards, including the Edge of Impact award at Doc Edge, Best International Documentary Feature at Buffalo International Film Festival and the Walkley Documentary Award.

Karl Malakunas
Karl Malakunas

Karl Malakunas is a Walkley Award-winning and Emmy-nominated journalist, newsroom leader and documentary filmmaker who has worked for Agence France-Presse (AFP) since 2001. Karl is currently the Head of Philanthropic Projects for AFP, building relationships with foundations and non-profit institutions to help fund journalism media projects aligned with AFP’s values and objectives. The projects integrate philanthropic-supported journalism into new and expanded editorial projects within AFP, strengthening impactful journalism and driving innovation. They also involve collaborating with, and supporting, other media and journalists outside of AFP. Previously Karl set up AFP's digital investigation operations in the Asia-Pacific. He established fact-check teams in Indonesia, India, Pakistan, the Philippines, Malaysia and Australia, as well as an editing desk in Hong Kong and the foundational work process for the operations. Karl worked as AFP's Asia-Pacific Deputy Editor-In-Chief and Head of English Desk from 2019-2025. Over more than two decades at AFP, Karl was also based in the Philippines, China and Singapore, working as a Bureau Chief, News Editor and Asia-Pacific Environment Editor. He has reported around the globe on assignment covering major events such as conflicts, environmental and political summits, and natural disasters. Karl also directed and produced the enviro-thriller documentary Delikado, which was nominated for an Emmy for Outstanding Investigative Documentary, and earnt Karl the Walkley Award – Australia's equivalent of a Pulitzer – for Best Longform Documentary. Karl has led Delikado's impact campaign to support environment defenders and the natural resources they protect.

Lindsay Poulton
Lindsay Poulton

Lindsay Poulton is Editorial Director of Film and TV, shaping strategy and output across the Guardian’s film and TV work. Alongside this global focus, she commissions and curates documentaries for the Guardian’s digital platforms, including the Oscar-winning Colette and BAFTA-winning The Black Cop. With this multi-platform outlook, Lindsay is committed to finding the most powerful ways to bring stories rooted in the Guardian’s distinctive editorial ethos and purpose to the screen. As a filmmaker and journalist, Lindsay's work has been recognised with numerous awards and shown at The White House as well as top-tier film festivals around the world including Sundance, Tribeca, IDFA and Sheffield DocFest. She enjoys regular opportunities to judge industry awards, speak at international conferences, teach at universities, and is a proud member of BAFTA.

Sandra Whipham
Sandra Whipham

Sandra Whipham is one of the five Executive Directors at Doc Society, a global non-profit with teams based in Europe, East Africa and the Americas. For 21 years it has worked to directly resource the most exciting independent documentary filmmakers in the world, regranting over $30m to 530+ teams. Doc Society are advocates and practitioners of narrative strategy, exploring the full potential of non-fiction storytelling alongside traditional advocacy in helping build power and transform societies over time. At Doc Society, Sandra heads up the Democracy Story Unit, a cultural strategy initiative that supports transformative non-fiction storytelling to advance more just and inclusive societies. Previously at Doc Society, Sandra led the BFI Doc Society Fund, the UK’s national documentary film fund, in partnership with the British Film Institute. Sandra is an executive producer on grantee projects and works closely across all aspects of the film slate.

Festival Internazionale del Giornalismo
Festival Internazionale del Giornalismo

Il Festival Internazionale del Giornalismo di Perugia è un evento annuale che riunisce professionisti dei media, esperti di comunicazione e appassionati di informazione da tutto il mondo. Si svolge nel centro storico di Perugia e offre conferenze, dibattiti, workshop e opportunità di networking sui temi più rilevanti del giornalismo contemporaneo.

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